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MS in Suhtaio and English on paper, Nebraska, 1865-1879, 18 ruled lines in name glyphs and English cursive script by Little Shield and Black Moon, 9 pencil sketches, 105 full-page paintings in colours, 92 by Little Shield and 13 by four other warriors.
MS in Spanish on paper, Mexico City, ca. 1820-1830, 4 vols., 1653 ff. (complete), 32x22 cm, single column, (25x15 cm), 23 lines in cursive script by 2 scribes, a pen drawing of a plan, a 2-page pen drawing with coloured wash.
MS in Russian on paper, Russia, 1752-1770, up to 60 lines in a small neat Cyrillic semi-uncial by Ierei Ioann Iakovlev who also made the illustrations, with about 75 diagrams and tables and a full-page miniature of the Temptation of Adam and Eve.
MS in Italian on paper, Roma, Italy, ca. 1650-1680, 2 vols., 25-31 lines in Italian cursive script, title in square capitals, by one scribe, pen flourishes beneath some chapter ends.
MS in Norwegian, Latin and German on paper, Norway, ca. 1711-20, 23 full-page genealogical trees in brown with green wash.

MS in Italian on paper, Venezia, Italy, 1625, the first 5 lines of the dedication to Marco Zeno, Bishop of Torcello, in gold, initials in gold with either red or blue flourishes, full-page illuminated historiated frontispiece painted in gold, blue, purple, green and yellow with the title in capitals in gold.

MS in Latin on paper, Edinburgh(?), Scotland, ca. 1511, 26-27 lines in a current lettre batârde, large red initials with flourishes throughout.

MS in late Middle Scots on vellum, Scotland, 1594, in a rounded Gothic book script of medium grade and quality, autograph, signed, dedication page in large gold capitals within a golden frame, with illuminated illustrations.

MS in Latin on vellum, Pistoia, Italy, 1460-70, in two volumess, the first by Filippo de Nanni de'Batini, the second by an unidentified scribe. Illuminated by unidentified artists and and yet unnamed collaborator of Francesco d'Antonio del Chierico.

MS in Latin, Middle English, French and Gascon on vellum, England, ca. 1325-1430, with miniatures by 5 artists reflecting styles associated with Cambridge in the 1340's and London in the 1390's.

MS in Latin on paper, Austria, ca. 1470, featuring a square, slightly sloping humanistic book script, coloured leafy plantstems on blue, red or green grounds, heightened with tracery and clusters of dots, the first one with 3/4 scrolling border of coloured and gold plantstems including a bird.

MS in Latin on vellum, Milano, Italy, 3rd quarter 15th c., 27 lines in an elegant sloping humanist book script, first title and incipit in burnished gold capitals, marginal titles in pink, 16 large white-vine initials by the Ippolita Master.